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Jun. 22nd, 2007 10:08 pm* I fail to understand why the waiters at Pizza Hut dance. I mean, why dance? What is so entertaining about it? Is it something that happens in this particular place alone? Would they dance if I go to another Pizza Hut in the city? Would they dance if I go to another Pizza Hut in *another* city? Why? What is, as Prof. Big Mac would say, the *point*?
Still. We ate a lot, and while I feel a little guilty for the amount of money poor A. had to spend, I can't feel too bad. Hey, you don't get a plush job offer every day! And when you do, your old high school friends deserve some treating, right? *burps*
Maybe I shouldn't have eaten that much.
* Have you ever read a story that has a really interesting concept and a really neat plotline and then somehow it doesn't work for you because the *writing* doesn't work for you, and you can see that all it needs is a little *editing*, maybe some spitting and polishing, a little less telling and a little more showing, that's all, and you want to tell the author but you.just.can't? (also, that was a big run-on sentence. i don't care) I just did. Read one of those, that is. I *hate* this when it happens. It's not that I can't give concrit - I can, but the thing is, how do you tell an author that hey, I think you should've worked a bit more on this thing? That's not a reader's job, that's an editor's job. That's the writer's job, to switch on her Inner Editor and notice something's off.
Still. We ate a lot, and while I feel a little guilty for the amount of money poor A. had to spend, I can't feel too bad. Hey, you don't get a plush job offer every day! And when you do, your old high school friends deserve some treating, right? *burps*
Maybe I shouldn't have eaten that much.
* Have you ever read a story that has a really interesting concept and a really neat plotline and then somehow it doesn't work for you because the *writing* doesn't work for you, and you can see that all it needs is a little *editing*, maybe some spitting and polishing, a little less telling and a little more showing, that's all, and you want to tell the author but you.just.can't? (also, that was a big run-on sentence. i don't care) I just did. Read one of those, that is. I *hate* this when it happens. It's not that I can't give concrit - I can, but the thing is, how do you tell an author that hey, I think you should've worked a bit more on this thing? That's not a reader's job, that's an editor's job. That's the writer's job, to switch on her Inner Editor and notice something's off.
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Date: 2007-06-22 05:09 pm (UTC)no subject
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Date: 2007-06-23 04:24 am (UTC)no subject
Date: 2007-06-22 06:49 pm (UTC)It's also - I think YMMV - for a writer *to* turn off the writer and turn on the editor; harder still when it's not really plotting or grammar but the "feel" of the story that's off. Which is why I loves me my beta readers. I'm too close to the story - I know what I want to say/do and I'm not a good judge of whether I did it *well*.
The "show, not tell" is a big 'un for me too.
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Date: 2007-06-22 07:11 pm (UTC)I realise I'm being completely incoherent here. I'm sorry, it's judge made me very thoughtful all day.
It's also - I think YMMV - for a writer *to* turn off the writer and turn on the editor
Heh. For me on the other hand, sometimes it's difficult to shut the editor up. And it's not always a good thing, because your editor brain is not necessarily very objective, either, and it can tell you 'this sucks' even though it's perfectly all right. It's one of the reasons I take so long finishing things.
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Date: 2007-06-23 02:24 pm (UTC)OH GOD YES. Have you ever had the editor constantly nag you through a fic, so in the end it doesn't work cos you've tried to cram too much in and it just turns out really strange and schizo? That happens to me all the goddamn time.