(no subject)
Dec. 4th, 2008 10:00 amhv wtchd ep. fun. drwning in wrk - hlp!
Okay, I actually contemplated writing this entire post in SMS-speak, but I have now decided to spare you the trauma and write something brief instead on the obvious.
* I posted part of this in
topaz_eyes's journal:
House: Cuddy…you see the world as it is and you see the world as it could be. What you don’t see is what everybody else sees. The giant, gaping chasm in between.
Cuddy: House, I’m not naïve. I realize—
House: If you did, you never would have hired me.
...
House: You’re not happy unless things are just right. Which means two things. You’re a good boss. And you’ll never be happy.
(2.3, Humpty Dumpty)
Add to this the title 'Let Them Eat Cake', and the reference to Marie Antoinette. I'm not happy she fell for the idea of a relationship with House, because she knows better, she has shown in the previous episodes that she knows better and she certainly deserves better than have her heart broken over House (I mean, the last look was 'I can't believe I fell for that, stupid'). But she did, and it makes sense with her character. We already know that House is a big scaredy cat and we already know House is the King of Mixed Signals and Emotional Ill-Health - but Cuddy is not very brave, either. In fact, she kind of sucks at relationships and emotional issues, things she cannot control, and that she put herself out there was an incredibly brave step on her part (tempered, of course, by a healthy dose of her vision of the 'world as it could be' - delusion, if you will; prompted, probably, by the melodrama in her life, her fear of loss esp. post 'Joy' and 'Last Resort', by Wilson's 'you can make it work!', by House's mixed signals, by the fact that she wants it), given her history of giving up on things and avoiding pain when they scare her (5.06: 'You're giving up.').
If House wants Cuddy, he's going to have to do something about it himself because she's not, the way she's now, going to drag him down the pool with his clothes on - at best, she will tug at his hand. And she's already done that.
* House's scene with Taub: why? Is he thinking about relationships and commitment? Those are some serious terms. Why the Big Romantic Gesture/Apology?
* Office thing was Stupid Plot Contrivance. Will make do, however.
* ♥ Wilson.
* House as Chaos Magnet. Hmm. Think later.
* Thirteen's story brought a lump in my throat. ♥
* There is much to be said about CCF and how they've grown. MUCH. Later.
* ♥ Taub.
* Poor baby Kutner.
* The singing patient was FTW! I couldn't stop giggling after that.
* I also liked the POTW.
Okay, I actually contemplated writing this entire post in SMS-speak, but I have now decided to spare you the trauma and write something brief instead on the obvious.
* I posted part of this in
House: Cuddy…you see the world as it is and you see the world as it could be. What you don’t see is what everybody else sees. The giant, gaping chasm in between.
Cuddy: House, I’m not naïve. I realize—
House: If you did, you never would have hired me.
...
House: You’re not happy unless things are just right. Which means two things. You’re a good boss. And you’ll never be happy.
(2.3, Humpty Dumpty)
Add to this the title 'Let Them Eat Cake', and the reference to Marie Antoinette. I'm not happy she fell for the idea of a relationship with House, because she knows better, she has shown in the previous episodes that she knows better and she certainly deserves better than have her heart broken over House (I mean, the last look was 'I can't believe I fell for that, stupid'). But she did, and it makes sense with her character. We already know that House is a big scaredy cat and we already know House is the King of Mixed Signals and Emotional Ill-Health - but Cuddy is not very brave, either. In fact, she kind of sucks at relationships and emotional issues, things she cannot control, and that she put herself out there was an incredibly brave step on her part (tempered, of course, by a healthy dose of her vision of the 'world as it could be' - delusion, if you will; prompted, probably, by the melodrama in her life, her fear of loss esp. post 'Joy' and 'Last Resort', by Wilson's 'you can make it work!', by House's mixed signals, by the fact that she wants it), given her history of giving up on things and avoiding pain when they scare her (5.06: 'You're giving up.').
If House wants Cuddy, he's going to have to do something about it himself because she's not, the way she's now, going to drag him down the pool with his clothes on - at best, she will tug at his hand. And she's already done that.
* House's scene with Taub: why? Is he thinking about relationships and commitment? Those are some serious terms. Why the Big Romantic Gesture/Apology?
* Office thing was Stupid Plot Contrivance. Will make do, however.
* ♥ Wilson.
* House as Chaos Magnet. Hmm. Think later.
* Thirteen's story brought a lump in my throat. ♥
* There is much to be said about CCF and how they've grown. MUCH. Later.
* ♥ Taub.
* Poor baby Kutner.
* The singing patient was FTW! I couldn't stop giggling after that.
* I also liked the POTW.
no subject
Date: 2008-12-04 07:40 am (UTC)I also think a lot of what House did was about himself, but in convincing her of the reality of her situation, he would bring to light how difficult it would be, how ill-prepared she was for it, and provoke her to chose one of the more realistic options over the other. Since he felt sure that Cuddy felt that she wasn't ready to be a mother, Cuddy would chose her profession and, in so doing chose the life that included him, and not a baby.
no subject
Date: 2008-12-04 07:47 am (UTC)Which is *why* she chose the baby over House. And then lost it. Sigh.
no subject
Date: 2008-12-04 07:59 am (UTC)no subject
Date: 2008-12-04 08:30 am (UTC)no subject
Date: 2008-12-04 08:38 am (UTC)And you know, that has turned into a reason why I wouldn't mind seeing Cuddy actually get a baby, so these questions could be answered. (And, really, you're right, and I'm glad the show doesn't show us that if it's not needed and doesn't relate to House, because I'll always say the show should stay about him more than anyone else.) But, I suppose because the show doesn't answer these questions, we can't really know for sure, but to save ourselves from debating in circles, I'm going to call a "agree to disagree" here. I can see the validity of your point, and I can see mine, too. If only the show answered these very important meaningful questions.